This is my first fully CMYK-embroidered alphabet. My intention was to create stitched letterforms considering typographic characteristics: legibility, coherence, weight and contrast. I wanted to avoid manipulating existing character sets – this is not halftoned Gill Sans or Helvetica. I began by setting up a 4-layer halftone grid with 10 crosses per x-height. The screen for each colour is set at a different angle: Cyan 105˚, Magenta 75˚, Yellow 90˚ and Black 45˚. The challenge was to construct a coherent character set upon this grid. Each letter consists of four layers, Cyan being printed first and Black last. The equal blend of stitched CMYK colours results in handmade Registration Black.
Sadly her site doesn’t allow comments, so you can’t tell her how awesome you think it is.
But she has a lot of other awesome projects up that you should go check out!
I’m in love with this video by Ill studio, originally created for “The Big Idea” exhibition, in Los Angeles in 2011. I’m a sucker for typographic animation, and this one is done exceptionally well. Also, it walks the line between retro and modern in a way that feels super fresh. Watch it in motion below!
So, as you guys may know, I am a big fan of letters. I mean the things that make up the alphabet, as opposed to the things you get in the mail. Although I do also like mail, and obviously you can’t write a letter without writing letters.
Point being that I like talking about lettering, typography, etc. and it would be cool to have a spot to feature that stuff. So here’s my first shot.
Balkan Sans is a typeface that represents both Latin and Cyrillic Alphabets. Each character shows a pairing of the Latin letter and it’s Cyrillic equivalent. In the cases where they are the same, the letter is shown once, just at double height.
The applications for a typeface of this nature, with regards to education, are pretty cool!
It can be used to translate Croatian Latin into Serbian Cyrillic, for example.
The uses are even more expansive when using all the available faces:
Balkan Sans and Balkan Sans Stencil consist of four styles – three of them have different alignments (e.g., all uppercase characters are Latin and lowercase characters are Cyrillic) and one style consists of uppercase Cyrillic and lowercase Latin characters.
So you can use it in Latin or Cyrillic as you please, not just in the paired version I mentioned above. To truly understand it’s brilliance, check out the video below.
Unrelated, I relaunched my site and accidentally turned comments off. Sorry about that! As of this post it should be turned back on- with the new jetpack integration so you can comment using twitter or facebook as well as the default WordPress.